Daniel Strübi (eng): Difference between revisions

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"In my sculptural exploration, I work on a vernacular of plastic elementary particles. The basic work is the three plastic components in Swedish-black granite. Following the specific directional forces, the material stretches itself into a clearly comprehensible form. As a result, torsions and inversions are created mainly in marble, their movement condensing into a resting form. The sculptures clearly define themselves in the organic-geometric field of tension."
"In my sculptural exploration, I work on a vernacular of plastic elementary particles. The basic work is the three plastic components in Swedish-black granite. Following the specific directional forces, the material stretches itself into a clearly comprehensible form. As a result, torsions and inversions are created mainly in marble, their movement condensing into a resting form. The sculptures clearly define themselves in the organic-geometric field of tension."
===== Opere =====
===== Opere =====
* SIGMA II, in progress
* [[SIGMA II, in progress]]
* RHO VII
* [[RHO VII]]
* TAU III
* [[TAU III]]
* TAU I
* [[TAU I]]
* SIGMA I
* [[SIGMA I]]
* PHI I
* [[PHI I]]
* RHO II
* [[RHO II]]
* RHO I
* [[RHO I]]
* INVERS III
* [[INVERS III]]
* INVERS II
* [[INVERS II]]
* TORSION III
* [[TORSION III]]

Latest revision as of 21:55, 8 October 2024

Daniel Strübi

Information about the artist
mini|hochkant|Daniel Strübi|zentriert
Artist Daniel Strübi
Hometown Brugg (CH)
Country Switzerland
Website www.danielstruebi.ch
Short Vita of the Artist
  • Born on the 20th of March, 1963 in Zurich.
  • Attended primary and secondary schools, followed by a short stay at the University of Zurich for a course in psychology.
  • After the preliminary course at the Zurich School of Applied Arts, three years of apprenticeship as a stone sculptor followed.
  • Freelance sculptor since 1994.
The artist about himself

"In my sculptural exploration, I work on a vernacular of plastic elementary particles. The basic work is the three plastic components in Swedish-black granite. Following the specific directional forces, the material stretches itself into a clearly comprehensible form. As a result, torsions and inversions are created mainly in marble, their movement condensing into a resting form. The sculptures clearly define themselves in the organic-geometric field of tension."

Opere